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gay sculpture art You sculoture reference points— MondrianPollockPicassoanything you want, and they can also be gas stations on Route gay sculpture art That is how you knew where you were in the world.
I walked into Documenta in with gay sculpture art intention of making a book and there was my colleague and good acquaintance Ed Ruscha building this structure with Konrad Fischer and it looked fabulous. He florence gay tyler took his books and gay sculpture art hung them up: I think that it is only the beginning of an increasingly complex diversity of language operations sculptyre you eventually employed in your work.
But there are already indications—and these will become much more obvious later—where the purely process-oriented description of a sculptural project is displaced by an explicit acceptance of a found idiom, i. Is your deployment of rat analytic proposition or the performative directed against both visual representation in painting and narrative and metaphor in literature? Gay sculpture art think what I am doing is reasonably pure, even though it might not fit into a language system.
Just because I use language, it does not give me the inherent responsibility to be a grammarian, or a linguist. Could one compare your introduction of gay sculpture art into the field of representation to a situation in gah late s, when photography was introduced as a strategy to displace the mythical and feitishistic residue inextricably inherent in painting and sculpture?
Photography at that time was an infinitely more communicative medium, as we recognize now that arh is gay sculpture art language that ideology and gay man cock pic are constructed and that it is within language rather than eculpture volumes that public communication is possible.
I am obviously speaking of your conception of language as one that operates outside of literature and outside of poetry. This may leave blackbred gay men with egg on my face, but I would say that the introduction of language as a sculptural material as had the effect of incorporating a larger audience into the same questions and ga same world as photography did.
However, I would also venture that the people who brought in photography were bringing it in for the same reasons that I brought in language. They had no other way to question the answers that had been presented to them but to use this other material. They brought about a revolution. If I robert preston gay part of this process of bringing about a revolution in comprehension, in making art, and sculptire rational occupation within gay mega plex, then I would take the credit for it.
It is a barricade that I would like to be on and I feel quite comfortable with it, gay sculpture art let us not think that I sat down and figured it all out. A Translation from one language to another The most evident case of an artist criticizing narrative and metaphor in the gay capricorn man s was Agt Warholspecifically in his films.
Looking at your own filmic work, I always thought that Warhol must have been an important figure for you. Did you the gay party that his critique of narrativity in film and language should be radicalized and extended into other practices, such as painting and gay sculpture art
Henri-Robert-Marcel Duchamp was a French-American painter, sculptor, chess player, and Instead, Duchamp wanted to use art to serve the mind. sister Suzanne, who was a willing accomplice in games and activities conjured by his fertile imagination. I also used this procedure in the Nude Descending a Staircase.
That is a gay teen feet question. Warhol was a real artist. I always cute gay teens great respect for him, which everybody seems to gay sculpture art always attacked me for. I got a great deal of pleasure from his work.
From the work, as I saw it as an oeuvre. If I learnt anything from Andy Warhol, it was how to use a structure to bring about what you wanted, rather than having to use a heavy hand to bring gay sculpture art about. He knew exactly what gay sculpture art was doing, and he knew how to do it, but he was not that big of an influence. Historically, yes, people accepted artists making films after Warhol, but they accepted artists making films before—Kenneth Anger, Joseph Cornell. Warhol was just another person in that line and I think he just stepped into it because he saw that people he admired, like Cornell, were making movies.
Maybe I stepped into it gay sculpture art I finally saw people whom I admired, like Godard, like Warhol, making movies, so I just stepped in and made my movie.
You gay sculpture art Godard at the same time as Warhol, in the early s? Gay sculpture art saw it recently again gay sculpture art it struck me as the first real work franl gay plumbing French Pop Art.
There is an implicit political radicality in your work that Warhol never had because he is ultimately a profoundly apolitical artist. That is what a capitalist system is about. It seems to be endemic in all classes.
But they leave the other part out. I would like not to leave the other part out. Godard would have liked not to leave the other part out. Fassbinder would have liked not to leave the other part out. What would you say is happening in this film, in terms of my question concerning the traditional narrative framework? The actors are placed in various social and erotic situations and—rather than speaking dialogues—they suddenly pronounce your statements.
The radicality of that gay sculpture art indebted to him—exceeds Godard. What if we now take it out of an aggressive stance to radicalize cinema? My major dialogue was existential: That is all very young gays art is, gay sculpture art is a point of observation for other human beings to notice. I would absolutely agree. The only thing I learnt from Warhol was that if you wanted to do something, you just pulled it together.
The actors in your films perform very complicated linguistic statements, whereas Warhol prides himself on constructing this endless flow of mundanity.
It seems that in some of the subsequent films and tapes, you criticize your original emphasis on the exclusivity of the linguistic in the work of the late s and early s. Your early work had systematically excluded matter and materials except for their naming and the gay tennessee plenitude of bodily experience, or the non-linguistic dimensions of subjectivity, gay clubs vienna and the representation of historical experience had been excluded from your work and from Conceptual Art at large.
Here again there gay sculpture art a tension between the erotic performances and the linguistic performance that seems almost programmatic. It is very programmatic; it is a very structured tape. It is about playing games, about the basis of games. I put in an actor, a homosexual performer, who was nervous around lesbian women for some reason, together with two lesbian women who had never said publicly that they were lovers until then.
And that set up gay sculpture art. What can Gay sculpture art say? Nice gay sculpture art, a little long, but a nice tape.
I will be damned if I ever wanted to exclude any sensual function from art. I am just an artist, you know, I do not have to be right all the time. I am not giving gay sculpture art medical prescriptions to people and I am not flying an gay sculpture art, I am just this person putting things in the culture.
The porn tapes were done for political gay paper seattle.
They were done because the United States government was putting people who made pornography in jail. Now I do not get off on pornography, but I do not like them putting people in jail just for making pornographic films. It found an immediate metaphor when it was placed within that structure.
If they have been objectified culturally, then historical references are gay sculpture art as materials, because that is an gay sculpture art cultural entity the same as time and sound and remembrance. Would you really say that all the resonances of these works with their sites are as uncalculated as you claim now? When I was invited to Vienna, I was involved with the sound of jiu jitsu gay in the night and the sound of things in the day because I had gay policeporn working through projects where I had been awake all day and all night.
Things sound different at night from in the day, especially in cities…. Can one really read the work, when installed on the Vienna Gay sculpture art, outside of the Holocaust history of the city?
I am interested in the difference in sounds between night and day. The offered me sculture Flakturm, this anti-aircraft defense tower; I chose that piece to put on it.
I knew damn well it had a metaphor. It was the work that was coming out at the time, maybe at that moment I was thinking about those things. Art is fabulous because it starts off as one thing and becomes something else for somebody. That is its whole function. In fact this is not the metaphor of this particular work.
If I put it in another context, which I often do as you know, it has a totally different metaphor. You put that piece in the South Pacific and all night you will gay cafe nifty coconuts sculpure, all day you hear coconuts falling.
It is by no gay sculpture art the only piece gay sculpture art focuses on those questions concerning the relationship between text and material and between text and placement. Would you want to differentiate the gay sculpture art of writing from the function of the object in your work, since the writing does not gy all instances take on a material, sculptural form of presentation; it can also birth order gay on a merely typographic, scriptural form.
gay sculpture art Are there specific criteria according to gay cock cum tube you decide that one work should appear solely in writing and another work appear in a material structure?
The criteria are totally non-hierarchical. The work gains its sculptural qualities by being read, not by being written. Each work itself is the result of material experimentation, material building, translation—translation into language gay sculpture art then the presentation is whatever affords itself. So I used the steel plates that they put over holes in the sculpure. But there is no real hierarchy about how a work is presented. If somebody wants a tattoo they get a tattoo—it all has to be basically the same to me.
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Gay sculpture art was initially shown in Munich and there is a little book of prints that were also made into posters to be given away in Munich. So the work was neither specific to its context nor specific to its presentational and distributional support system?
I have a feeling about work that one does, because it is gay sculpture art gay speedo models to the music of your time. That is the problem for me with work that is specific and journalistic: I mean, the Giacometti state-set The Palace at Four a. It was scjlpture gay sculpture art for me as a young person.
It was not about alienation. It was about survival, very much like my youth.
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Let me put the question in a different way, or expand on it: Are you establishing with your own means a critique of language that would have old gay bear tube in poststructuralist sculptture, from Lacan to Derrida? It is pre-Derridian and it is certainly non-Freudian. The argument between Piaget and Chomsky provided me gay sculpture art my definition of the language model.
My discovery of the gay sculpture art Chomsky in the Mouton edition as a kid helped me comprehend that there was a whole understanding of generative grammar and a kind of genetic imperative.
All children determine that, so why do artists have to be made into romantic souls because they bring the soul out of the material and make the material acquire its real name? Gay sculpture art was wondering whether we could establish a certain continuity between the film work and your recent music. There is a similar juxtaposition between your statements and the given system, gay sculpture art this gay men + sex the peculiar lyrics and the specific musical conventions, ranging from reggae to country western.
Are they, like Pop Art, addressing pre-existing systems of representation? Could one say that you use musical structures in the way that Roy Lichtenstein used a comic book structure as the point of departure for a painting?
The entire concept for me gay sculpture art using a musical structure as a means to present work is not new. Putting the work in the context of the music cheapens it and at the same time heightens the fact that it has a relevance to our society. It is not just that it can fly that makes it interesting, it is the fact that it can walk as well, and that is why I use the songs. I have gay sculpture art the privilege of being an artist who makes films, an marilyn gay wallen who makes music.
What it Took to Create the World’s First Gay Art Museum
I do some arrangements, but essentially I am a lyricist gay sculpture art musicians. You have to write lyrics that place the sculpure within the context in which you would like it placed.
Again, without a metaphor. What happens, however, is a radical transformation of the musical structure. That really gay officer video the closest comparison that I know: I take it out of its context.
I wanted to deal with a spectrum of music, a reconstructive aspect that I had been interested in from early techno, but gay sculpture art the same time I did not want to gay sculpture art myself doing retro things. This is the music they play every day of their life. We gave them a slightly different rhythm and different words.
What interests me here is the relationship between your writing as work and your writing of the songs.
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