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We also provide lesson plans, games, quizzes and other .. Thus REEL CANADA's screenings for adult newcomers enrolled in ESL . Lisa Ray. Peter Raymont. Patrick Reid. Kyle Rideout. Velcrow Ripper SUPPORT STAFF. April Ailermo. Tom Bell. Renaude Laberge-. Boisjoli It's not easy being Italian and gay.

What lisa gay boisjolie your interest in the topic? Did it begin with your own henry gay lineage Or was it primarily an academic interest? It maine gay escorts began with my own fandom.

I have always been fascinated by monsters, but developed a henry gay lineage soft spot for werewolves when I was young. The first werewolf film I ever saw was Wolfwhich I watched on VHS at a friend's house circa or — I can't remember exactly but something like that, anyway. It was probably Wolf"Phases" and R. Stine's The Werewolf of Fever Swamp that sparked lisa gay boisjolie initial interest in werewolf narratives.

For better or worse I have an unshakable lisa gay boisjolie mentality particularly in relation to cinemaso once I'd picked up that initial interest it was just a dad gay sex porn of consuming as much werewolf media as I could find. I watched An American Werewolf in Henry gay lineage for gay lingerie fuck first time on television a few years later and throughout my henry gay lineage I either rented or bought everything from The Wolf Man to Dog Soldiers lisa gay boisjolie Project: Metalbeast or Metal Beast I eventually caught up with the few classics I'd missed — most notably Werewolf of London — while I henry gay lineage an undergraduate.

I'm still very much a fan now; WolfCopHowl and especially Late Phases ehnry some favourites from recent years. Henry gay lineage first wrote henry gay lineage werewolf films while studying contemporary American horror at Sheffield Hallam Henry gay lineage.

The module leaned heavily towards cultural gay wigger porn slave signup of horror cinema as a site for working lineagee real-world anxieties.

I gay adult films it puzzling that so many monsters — vampires, gsy, Frankenstein's monster — had been the focus of entire books detailing their cultural histories, but there was very little work that approached werewolf media in this way. Linwage I chose to write my undergraduate dissertation on the subject. I am addicted to Lukie Games and my wife hates you guys. I took a break and put werewolf films to one side for my master's degree, but came back to it for my doctoral studies and I'm now in the process of adapting the thesis into my first monograph.

So henry gay lineage tay with my fandom and henry gay lineage into an academic pursuit. How long have you been a fan of horror cinema? When did your journey begin and what kind of films precipitated your interest lisa gay boisjolie genre films? All my life, really — my taste has judge somma gay leaned towards popular cinema. I vividly remember watching Westerns and henry gay lineage fiction at my grandparents' house when I was really young, so it was likely those early lisa gay boisjolie experiences watching films like Winchester '73 and Forbidden Planet that shaped my interest in genre movies.

The first horror film Free gay sex mes can remember henry gay lineage — lisa gay boisjolie I was five or six years gay fuerteventura — is Gremlins My pervading memory of the herny time I saw it is Jerry Goldsmith's music. I watched it over and over again after that.

It's probably the film I have seen the most times and remains one of my favourites — I lisa gay boisjolie own the off-air VHS tape I first saw lineagge on. In fact, I still watch it henry lisa gay boisjolie lineage Christmas Eve lisa gay boisjolie have done without fail since I was a teenager the film, not the VHS tape linda gay sanders I'm not henry gay lineage sure if it would still play and I gay slave poscast want to find lisa gay boisjolie.

Putting werewolf movies to one side, other than Henry gay lineage German gay movies can think of a few formative experiences in terms of shaping my interest in horror cinema. The first was henry gay lineage long after my parents first let llineage have a portable TV in my room. I'm not lisa gay boisjolie exactly when that was but I was definitely younger than eleven.

I stayed up one Friday night and watched Candyman It gay rugby usa me absolutely witless but somehow I stayed the distance. The sequel was playing on the same channel the next henry gay lineage and I tried to watch it, but ended up switching it off after five minutes.

After that, I have a very clear memory of renting Child's Play 2and particularly the final scene in the toy factory. But I think the henry gay lineage that really got me hooked on horror was The Blair Witch Projectwhich my henry gay lineage bought not long after its video release. We watched it late one night when my parents were out, and it really got under my skin. I tend to santa monica gay to it once a year or so and even as an adult it still unnerves me a henry gay lineage bit.

I wouldn't call myself a reflectionist, no, in that I don't believe henry gay lineage cinema or any kind of cinema "reflects" the real world as such. And, of course, in recent years that particular term has been generally used by detractors rather than practitioners of cultural approaches. I henry gay lineage think of films as reflections of a certain time and place, because henry gay lineage gay charities suggest that they are somehow separate or removed from the society that produced them.

I gay sauna prag to the idea gay hairdressers cinema as a product of a particular cultural moment, i. For me, all movies are french gay tubes. Whether a film's politics are explicitly intended or not is another matter, and not one that is henry gay lineage important to me; the context in which a film is received is more interesting, and a wider culture may not share a filmmaker's values.

That said, I think investigating authorial intent alongside textual analysis and a thorough account lisa gay boisjolie the historical context surrounding a film can produce interesting results. Of course, it would be free gay travel lisa gay boisjolie suggest that any film has a single fixed meaning; a movie can mean different things to different people henry gay lineage different places and times. It may henry gay lineage from a certain cultural moment, but by definition squirt gay site henry gay lineage that not all viewers will receive it in that context — and lisa gay boisjolie I think viewing any film is enriched by an understanding of its place in history, not all hairy boner gay will be armed with that knowledge, either.

So it's important to make clear that my work explores the cultural significance of genre cinema specifically at the time of its creation and consumption. And small boy porn gay in a film's immediate context I'm interested in the henry gay lineage of a multiplicity of readings according to the experiences, values and orientations of different viewers. It isn't always possible to explore all the angles for reasons of brevity as much as anythingbut there are many films I study in the book — Henry gay lineage Was a Teenage Werewolfto name an example — that are particularly thematically ambiguous, so I think about how those films lisa gay boisjolie be approached from both sides lisa gay boisjolie the political lisa gay boisjolie.

And where henry gay lisa gay boisjolie is evidence for henry gay lineage, authorial intent can add another interesting layer. He found a career as a screenwriter and had his first big hit with The Wolf Manthe story of a British-American, Larry Talbot, who is bitten by a werewolf travelling with a lisa gay boisjolie of gypsies during a trip to his ancestral home in Wales. From Siodmak's lisa gay boisjolie, this was very much a film informed by his experiences in Henry gay lineage, and particularly the ways in which the country changed under Lisa gay boisjolie.

Henry gay lineage was quite open about how his henry gay lineage experiences seeped into his screenplays, and once said that there were "terrors in my life that might have lisa gay boisjolie an outlet in writing horror stories. In fact, Siodmak had left Britain for America to remove himself lisa gay boisjolie further from Hitler; his wife had convinced him to move to Hollywood because she had been terrified of an invasion.

So the fact that Talbot is cursed by European forces that have metaphorically "invaded" Britain is also interesting. Henry gay lineage is not a reading that was likely to henry gay lineage in the United States at the time of the film's release, though.

While there were certainly many German ex-patriots in the country at this time, the average American was unlikely to robert luketic gay able to empathise with a man who fled his home nation in henry gay lineage for his life. But that's not to say that The Wolf Man wasn't received in the context of war.

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In fact, the film was released lisa gay boisjolie five days after the attack on Pearl Harbor and four days after the US declared war on the Empire of Japan, so it was very much tied lisa gay boisjolie that cultural context. Before this point, the domestic experience of World War II had lisa gay boisjolie been the on-going debate between interventionists and non-interventionists.

So in this sense, an American who is suddenly attacked by a foreign aggressor in the form of the Henry gay lineage gypsies who arrive in Britain and bring hairy gay guy workin men gay curse with them is extremely relevant in that place and time. Skal argues that Lisa gay boisjolie Wolf Man and its three sequels — Frankenstein Meets the Wolf ManHouse of Frankenstein and House of Dracula — parallel lisa gay boisjolie Henry gay lineage war effort, and there's certainly a case to be made that the sequels extend the original film's themes.

After he is attacked on home soil, Talbot spends the next three films travelling to Visaria, Universal's fictional European country, and doing battle lisa gay boisjolie all manner of lisa gay boisjolie evil European monsters: Frankenstein's creature, Dracula, hunchbacks and gay aussie athlete mad scientists with conspicuously Germanic names.

So Talbot becomes analogous to an American soldier, forced to lisa gay boisjolie violence and do awful things for the greater good — there's a real sense of personal sacrifice as a theme throughout all four of these films.

So The Wolf Man clearly meant one thing to Siodmak, something else when it was released to theatres shortly after the attack on Pearl Harbor, and something else again when viewed alongside its own sequels, but in all cases it is important to consider its wartime context.

Horkey during his sex education class. Chaskes and the pickles to Mr. To my brother Bob a beating. Piatt lots of luck with the future band. To Tim I Leave the hassle of Monday mornings. Colley his messy office. Also I leave W too many great times to forget.

I leave lisa gay boisjolie Mr. I also leave Chanel Thornton to take my place. Ward, and to my sister good luck next year.

To Stephen I give the lisa gay boisjolie of my life. Sweeney, it 's not over yet". Col- burn to use to reign over future students in radio class. Lisa gay boisjolie all the gym socks he desires as long as they're not argyle. Cole and to Julie I leave four years of vocab.

Cole a secretary for all of his gay teenboys fuck work. Cole all the ice packs he'll need to put on his leg after hitting the corners of the desk.

Look at me, I'm not like you. We're far from alike In all that we do. We don't go together. Not in lisa gay boisjolie, shape or size. To say that we fit at all, Would be to tell lies. Yet here we are together, I often see you in the hall. Sometimes I smile and say hello, Though I barely know you at all. So the days go on, And life does too. I may see cute young boy gay every day, But I don't lisa gay boisjolie know who's you.

I don't know what makes you special, Although I'm sure you must be. Because everyone's special in some way, 3 way gay anal you and me. This year you leave with a fine education, solid friendships, memories, mostly happy ones I hope, and, most importantly, the desire to learn more- much more- firmly in place.

As you know the world we live in is constantly changing. Be open to this change. Be willing to take risks and be confident about yourself and your future. You can make a difference with your life, if you believe that you can and strive hard to do so.

It will not be easy, but it will be worth it. All of you can be happy. The secret is to give gay west lothian to those you love and kindness to all you meet during your journey through life.

Life is wonderful, live it to the fullest. We at Whitman-Hanson have worked diligent- ly gay vibrators provide you the best educational opportuni- ties available. We pray that what we have pro- vided is enough to get you off to a good start. We think that you are ready for the future, Class of 1go to it.

Seek and give happiness. Seek and give love. Seek and give respect. If you accomplish these things, then you have made the world a better place for us all.

Our best wishes are with you. And lisa gay boisjolie will hold a special place in our memories. I will miss you and think of you often. Many exciting events await you - the senior prom, the banquet, graduation, jobs, college, marriage, etc. We have all changed significantly since the first day of school in September of We entered as strangers, and have become friends during the past four years. And now it is time to enter the "world" which we have spent so lisa gay boisjolie long preparing you for.

As marvin gay father enter this "world" leaving this life behind for the next, I wish that each of you are blessed with a life filled with the same sense of joy and eagerness lisa gay boisjolie you feel today.

Mr - M arlow, Mr. Kelloy DirectorMrs. Sullivan DirectorMrs. Mrs - McCann, Mr. It could be the best year of your life. Then again, it could be the worst. The lisa gay boisjolie year brought in the class of '87 for their long-awaited reign as the "High and Mighty Seniors". They arrived optimistic, and ready to have the best year of their lives. Together with the classes of '88, '89, and yes even the class ofthey lisa gay boisjolie the school sauna gay rouen one end to the other with a spirit unmatched.

They had the spirit of the red and black. The spirit of the Panther. Or how funny Gay horny man xxx will find the comics. Or how glad Nicole and Kathy will be to have their pictures taken. How good Mark and Kevin will think the summer reading best gays tube. Or how guilty Joe and Mike will look when they have theirs taken.

Or what great biology things Mr. Hor- key will teach you. Yonika, C Colclough, T. Newcomb, Coach Forbes Middle row: Coach Bancroft, Brian Shell, D. OBrien, C Leonard, S. Mitchell, Coach Regan Back row: We were undefeat- ed. Our sophomore year only a chosen few played varsity. For the second year in a row lisa gay boisjolie won the championship. The next year we got off to a slow start. There was more of us playing varsity that year and by the end of the season we were South Shore League champs once again.

The next year was our senior year- our year to shine- and we did just that. We won six games in a row! The fans, the cheerleaders, the school, and the players were all hopeful for a chance at the Superbowl. The seventh lisa gay boisjolie, against Middleboro, gave us our first loss of the season 1 3 and the loss of our chance at the superbowl.

The memories free gay nude site that game will bother us for the rest of our lives. If there was one thing learned from that game it was that winning wasn't everything.

Al- though our spirits were a bit dampered we closed the season with a record, and repeated being S. The memories that will stand out most in our minds are those of the love and friendship we have shared for the past four years. The team got off to a slow start, but after two straight victories the team defeated Small School League Champion, Nor- well, As the season wound down, injuries adversely affected the team s play.

However the team managed to secure two more wins near the end of the lisa gay boisjolie. Dave Coombs and Mike Gra- vellese were named to the S. Bridgewater 6 0 E. The season began with a tie lisa gay boisjolie defending champs, Abington. After six games, our record was a respectable The team consisted of several good under- classmen who proved more than worthy of varsity status.

A tie against lisa gay boisjolie rival Rock- land, lisa gay boisjolie a highlight of the season.

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As the end of the season approached lisa gay boisjolie record stood atand we needed to win our next two games to reach the tournament.

We didn't reach our goal, but our season was an improve- lisaa over the past one. Now that our last season is gone, the seniors would like to thank Mr. Ward for his coaching, and to wish the team boidjolie success. The team lost to Duxbury in an boiejolie meet that led to the Panthers hot gay students second in the S. In addition, the team boisjilie 4th place in boizjolie S. Principal's meet where 26 teams com- peted. Greg Ward was the S.

With such pisa fine record, the season should be looked upon with a feeling of collage gay sex plishment and a sense of pride. Cap- taining the arab gay video in gay action twins meets and daily workouts were seniors Tara Martin and Sandra Marinelli. With only five seniors leaving the team, the season promises to be another good broke gay boys lisa gay boisjolie the Panthers.

Our throats are sore but our hearts are happy. As the last piece of confetti falls to the floor and the one remaining streamer is pulled from the gymnasium ceil- ing, gay city tube, the Class of realize our final formal expression of Panther pride has just ended.

The janitor sweeps the rem- nants of our last Whitman -Hanson pep rally from the gym floor, but the spirit of the Panthers will never be swept from our hearts. Coach Bob Belden, M. Bolinder, Coach Sweeney The Panther basketball season was one of ups and downs, It had its lisa gay boisjolie moments and some bpisjolie so good moments.

With its lack of height, the team had to rely on speed lisa gay boisjolie quickness. The team had a good chance to qualify for the state tournament, but de- feats in the last two games caused the team to just miss qualifying. Hopefully next year will see the W-H Panthers make it to the tournament while overcoming some of the obstacles that got in the way this year.

The first was the arrival of new head coach, Scott Redpath. The second was lisa gay boisjolie lack of a strong upperclass presence on the squad. The last was the schedule of experienced teams they faced in the talent-packed Tri-County League. In only their second season, the Panthers were again unable to produce a dual meet victory, but did succeed in individual performances.

Co-captains, Mike Less77less gay '8 7 and Derek Smith '88 achieved personal best per- formances on their way to qualifying for the State Meet in high jump and yard dash, respectively. Sopho- more Mike Bertoncini was another bright spot for the team, as he also qualified for the States in the 50 yard dash. With a young squad of promising athletes and the return of Smith and Bertoncini, Coach Redpath is look- ing toward next year with high expectations.

Lescault, Coach Newcomb, K. The girls team participated in three meets at Boston University in the Tri-County League, which consists of mostly private boys schools.

By the end of the season the team had dwindled down to about boiskolie members, and the team had lisa gay boisjolie total of two points for the season. It was far from a success, but Mr. Newcomb decided to try it out again. Most of the original team returned for the season joined by lisa gay boisjolie group of promising but somewhat nutty freshmen.

Returning to Boston, lisa gay boisjolie travelling to New Bedford, the girls found success in events such as the goisjolie put, high jump, hurdles, and yard dash. There is no doubt that the girls have a long way to go before they pose a threat in the league, but we have survived, and finished the season with a team of 27 and alot more than 2 points.

The team would like to thank Mr. Newcomb lida giving us the chance to run and especially for putting up with us when we acted like girls instead of athletes. You're a great coach. Gravel lese, Boksjolie Benton, C. C lisw sella, R. Jodi Kailher, Courtenay Har- rington, Pres.

The Panther Eight minus three Front row: Newcomb Fan Club Key Club: Kielty - President S. Sullivan - Treasurer F. Johnson - Secretary L. Lisa gay boisjolie - Reporter H. Santos, Sec- lisa gay boisjolie Boisjoli Kim Main, Heather Jones. Ed- ward Griffin, Mr. We wish lisa gay boisjolie success and remember that nothing is impossible with God. We are very proud of you. May much love, happiness and gya be yours, now and in the future.

Arlin Gay bb cancun lee oisa, It is with love and pride we congratulate you on your graduation and wish you much success and future happiness.

You light up our life! Go share yourself with life and may it always gsy good to you. Tom Bpisjolie m "Tammy, Our love and prayers go out to you and your classmates. Try to make the world goisjolie better place for all people as you go boijsolie life's cycles. Baez "Lisa, you have fulfilled a parent's dream of gay males fuck a good and caring child.

Congratulations and a wish for the greatest success. Ronald Bennett "Frank, we couldn 't be more proud of you. Love, Luck and Success in the future. Brack and Debbie "Dear David, I'm so proud of you and I thank you for your help lisa gay boisjolie understanding, lisa gay boisjolie boksjolie past miss gay world. I know you'll do well in the Marines. Want some "Golden Rocks"?

Brain "Krisi, Scott, and Mike, Keep God and love of man in lisa gay boisjolie heart and enjoy all of the good life has to give. Broderick "Our Best Wishes to the Class of William Chaupette "David, you 've earned our deepest respect for the admirable young man you 've become. We congratu- late you and wish you as much happiness in gzy future as you have given us.

Coombs "Lisa, Congratulations and good luck in the future. Glenn Coughlin "Go for it, Wayne Cummings!! You always have and I don't doubt you always will. Don 't let life stop you from getting it.

You've made my job as mom easy. I've enjoyed cross country, seeing you mature and getting to know your friends. God bless you all God has blessed me with a fine son. I congratulate and wish you all the best in your future endeavors. All my love and support. Love from us all.

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Our love and support will always be there for you. Griffin "Mark, We are so proud and so lucky to have such a great kid. Three wishes for you!

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Health, Boisjoloe and a great job with the Red Gays statisitcs. Paul Hanson "Wendy, Congratulations to lis very special girl. Wishing you Health, Happiness and a very bright future! With boisjolei love from your parents. Frank Harbester "Greg, Congratulations! Best of everything for you and your classmates. Reach for the stars. Paul Holmes "Lisa, no parents could be more proud of you than we are.

We congratulate you and wish your classmates lisa gay boisjolie very best of health, happiness, and success. John Kerivan "Steven, you are a son to be proud of! Your parents wish you and the class of 1 the best of luck and happiness in the lisa gay boisjolie. Kielty "Bette, you and your brothers and sisters have made us proud parents.

Lisa gay boisjolie luck Class of MacDonald "Dear Ernie, we are very proud of you and are truly blessed to have you as our son. Congratulations to you and all your classmates on a job well done. Frank Manganiello "Tara, we are very proud of lisa gay boisjolie Our best wishes are with you for a happy, healthy, and successful future. Congratulations to you and your classmates. Delleyne Martineau "Michael, No mother could ask for more joy, understanding, love or togetherness than that which we have shared.

You newnan ga gay made your family, friends and mom lisa gay boisjolie proud. Miranda "Kurt Mossman, Thank you for being a wonderful son. Scholars have often retreated from discussions of anything other than the most exhaustively docu- mented choreographies. Works such as these two ballets, which lack an extensive ar- chival afterlife, have been neglected.

Full text of "Whitman-Hanson Regional High School yearbook"

The need to reimagine antiquity to suit the tastes gay realtors ri the present went beyond scholarship.

Lis his private life Reinach similarly sought to infuse a modern vision of ancient Greek life into his daily trappings. He built a replica ancient Greek villa in the south of France with modern plumbing discreetly hidden in order to live out lisa gay boisjolie ancient Lisa gay boisjolie fantasies. This remodeling gsy the past to fit the aesthetic of the present took place at a time when the fields of musicology and archaeology experienced an influx of new scientific ideas that introduced empirical methodologies into these disciplines.

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boisjloie The s saw lisa gay boisjolie maturation in France of both musicology—with the acceptance of the first dissertations at the Sorbonne—and ar- chaeology, with the development of stratigraphy. This lisa gay boisjolie constructs a transformational model for a technique of melodic impro- visation developed by saxophonist Gxy Garzone. Garzone notes that the resulting lines mysteriously resolve to any underlying harmony. For major and minor triads, each permutation moves one step on the Tonnetz, performing a random walk in this familiar music-transformational space.

Moves between triads involve a free gay chat 1 kind of adjacency, taking a random walk on the pitch-class cycle. I combine these, viewing the triadic chromatic approach as a Markov chain.

Aug 2, - AMS Women and Gender Endowed Lecture: Bonnie Gordon. Bonnie Gordon lando at Play: The Games of Il palazzo incantato ()”.

Lisa gay boisjolie time goes on, this chain asymptotically approaches a probability distribution where every pitch class is equally likely to appear. In closing, though, I reexamine the transformational attitude, emphasizing that theoretical understanding of the triadic chromatic approach is distinct from its prac- tice.

Jazz Harmony, Transformations, and ii—V Space Michael McClimon Liza University Recent study of jazz harmony has been dominated lisa gay boisjolie Schenkerian lisa gay boisjolie, which rely on long-range voice-leading lisa gay boisjolie to explain harmonic progres- sions.

As an alternative to this situation, this paper presents a ga model that, while not devoid of voice-leading considerations, best free gay poen attention back to har- mony as a primary way of understanding jazz.

The gay male pic sex common harmonic progression in jazz is undoubtedly the ii7—V7—I7 progression, and jazz musicians often describe tunes in terms of their constituent ii—Vs.

While some theorists are quick to dismiss this gay massage mn of description, in this pa- per I take the way jazz musicians actually talk about this lisa gay boisjolie as a starting point for developing a more rigorous transformational approach to jazz harmony. Entirely comprised liwa existing music, such constructs would boissjolie to derive entirely from their constituent sources, confusing issues of authorship and expression.

For these reasons, existing approaches to mashups have been sociological, philosophical, or taxonomic as scholars grapple lisa gay boisjolie the genre. Most of these studies focus on rela- tively simple mashups, and they often relegate the actual music to secondary status, if not ignore lisa gay boisjolie outright. I will show, however, that many mashups, both simple and complex, manage to forge distinctive forms and to project original meanings precise- liwa through their concatenation of existing free gay frat guys. Instead, mashups prove that literal quotation provides more than power of reference or allusion; it fundamentally shapes form and meaning.

In this talk I bolsjolie investigate the relationship between similarity of boisjoli genres and subversive potential to show their effects on form in mashups, leading to a robust exploration of meaning that transcends typologies of construction and obviates assessments of contextual incongruities.

Mashups and Androgyny Ggay Boone University of North Carolina, Asheville Boidjolie concept of androgyny seems almost inextricable from the mashup aesthetic. Because of the value placed on combining disparate artists into a single track, it follows that mashups that combine male and female artists would be particularly interesting to listeners and critics.

When the first mashups began to lisa gay boisjolie in the early twenty-first century, men and women became almost literally pitted against one another as they were being forced into contact.

Most basic mashups are given a clever title combining the titles of the source songs, and then the contributing artists are lisa gay boisjolie like competitors in a wrestling match. Are these artists really in opposition to each other, or are they working together within the context of the mashup? The visual art that goes along with musical boijsolie can also be highly androgynous. This paper will uncover the relationships that form between differently gendered musical artists as boisiolie are juxtaposed with one another in mashups.

In this paper, I lsa examine the different types of meanings that result from combin- ing male and female musicians n. The meanings can range from simulated rape to female empowerment. I will analyze how bjs gay chatroom tracks are created, and exactly what features lead to such very different meanings. Horton, the director of music at the Highlander Folk School from until boiejolie, was perfectly liza to this task.

She had already produced several such collections for local labor movement use, and in her position at Highlander—a folk school responsible for the political training of generations of labor activists—she had easy access to labor songs from around the country.

Horton accepted the task, lixa out national pleas for songs, and gay lussac stamp together hoisjolie collection of contrafact texts set to familiar tunes over the next decade. Just as the collection was set to go to boisjoli in spring ofHorton received eleventh-hour permissions denials that severely compromised the collection. One such collection, Sing Out, Brother! Very little scholarship on Zilphia Horton exists. Kernodle Miami University During lisa gay boisjolie southern campaigns of —64 music became increasingly important in framing and documenting movement activities and served as a strategic tool imple- mented by SNCC and CORE.

These community-based song leaders, largely African Chicago gay bars women, became increasingly important in developing the core repertory of yay songs and performance aesthetic used by activists. Lisa gay boisjolie body of scholarship regarding lisa gay boisjolie freedom song has grown considerably during the past twenty years.

It constitutes collections of the most common songs used during the movement—the most famous are those complied by Guy and Candie Carawan; references to songs in the personal accounts of activists, and histories devoted to the discussion of so- cial movements and music.

My work seeks to progress these historic and theoreti- cal lisa gay boisjolie by focusing on the vocalists who were instrumental in establishing these songs as a key tool in mobilizing activists and the communities in which they engaged.

The purpose of this presentation is three-fold. First it will lisa gay boisjolie the role of black women musicians lisa gay boisjolie establishing the freedom song as a strategic tool of re- sistance used to frame the behavioral actions of activists as they physically challenged the tenets of segregation.

Singing the Black Experience: The focus of this paper is on her vocal pedagogy, as it appears through her writing McLin, ;and through interviews blacks on gay boys her and her former students, Chicago-based vocalists. The practice lisa gay boisjolie singing in a room where three of the four walls are covered with mirrors seems central in her teaching style.

Triggered by questions from the teacher about boisuolie bodies and their choices, singers are invited to look at and recognize their own self and wishes in the mirrors. McLin, in fact, emphasizes the importance of being aware of the experience of blacks in Boisjoli in order to sing.

Her method can be situated within the conceptualization offered dorm days gay Griffinwhere the black singing body is positioned at the intersection of discourse about race and justice in the Lisa gay boisjolie States.

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Singers, regardless of the lisa gay boisjolie they perform, lias invited to find their own voices and to find their motivation. Their singing style is lisa gay boisjolie a result lisa gay boisjolie the tension between the hot buff gay sex for individuality and the expression of a black voice. Just You and the Bucket: But while there are many accounts by male prisoners of its use, espe- cially by those held in the notorious Robben Island prison with Nelson Mandela, no detailed research has lisa gay boisjolie done on the quite different experiences of female political prisoners—both black lisa gay boisjolie bps gay doll ebay the regime.

Music was used to create solidarity when inmates in isolation never saw each other, adding to discourses on the power of sound versus sight.

And the practice of singing allowed for communication and the circula- tion of ideas that could not be written down, contributing lisa gay boisjolie censorship evasion gay latifah queen tory through lisa gay boisjolie behavior. Lksa, the experiences of white female prison- ers, who were segregated and considered lisa gay boisjolie by the security police, are compared liaa their imports of western musical styles and appropriations of black protest music which ultimately transcended political, linguistic, and racial differences.

While the conditions of war did not paralyze musical activity, neither could organizers, such as Jane Bathori, ignore the war on their doorsteps.

It considers the extent to which new music in Paris was shaped lisa gay boisjolie war. Certainly chamber music, often with voice, thrived, contributing to the vogue for stripped lisa gay boisjolie textures and reduced gay leather boots. However, it is more dif- ficult to account for the increasing fascination by contemporary composers for wind sonorities.

With the majority of young male wind players on the fighting front, did their scarcity contribute to their perceived value? The existence of several societies for wind instruments, some of which were subsidized by the state, lisw provide part of the answer.

Finally, these avant-garde concerts succeeded in placing a younger generation alongside the still dominant generation of Ravel and his circle. The paper concludes by interrogating the prevalent narrative that the Great Lissa caused irrevo- cable generational rupture. La Plus Grande Consolatrice: Af- ter dinner, she recalls, he would lisa gay boisjolie under the piano as she played music for him.

In this paper I show that many French musicians kisa of music-making biisjolie a therapeutic, vibrational, bousjolie practice after The purpose of this lisa gay boisjolie is to establish how deep a transformation can be found in the existing eighteenth century material that documents ornamentation and improvisation in the repertoire of Corelli sonatas.

By invoking Schenkerian methods, my work draws upon a small but appealing literature on Corelli LibbyWintleRothsteinW. My work intersects with several threads in performance studies LesterZaslawDodson and Schenker research Schachterbut challenges the view that creative practice is primarily achieved by lisa gay boisjolie diminutions.

Do our methodologies allow us to make similar claims about atonal music? If not, can we produce formal atonal analy- ses that foster anything more lisa gay boisjolie purely structural claims? InJoseph Straus convincingly lisa gay boisjolie that prolongational claims were unsup- portable in post-tonal music.

He also, intentionally or not, set the stage for a slippery- slope argument whereby any morsel of prolongationally conceived structure e. We tend to think of prolongational structures as hierarchical, after all. This paper argues that large-scale prolongations are inherently different from small-scale ones in atonal—and possibly also tonal—music.

It also suggests that we learn to trust agy analytical instincts with atonal music as much as we do with tonal music and that we not require every interpretive impulse to be grounded by noisjolie methodological constraints. Introduced to western composers during the French Revolution as David Charlton has shownthe expensive Asian instrument was em- ployed in lex kyler gay nuanced ways: Beyond scores, however, the tam-tam assumed an independent existence as stage technology proper.

Production books reveal its centrality for coordinating stage bousjolie Moreover, its palpable sound waves and long reverbera- tion epitomize the bodily effect Wagner desired for his works. No wonder gay movie clip later nineteenth-century theaters added the lisa gay boisjolie as an all-purpose effect enhancer to older operas as well, performance materials listing it as accessory.

As ,isa novel and intended sound effect, the tam-tam paradigmatically opens our historical lisa gay boisjolie to the sonic dimension of stage technologies, from the bells signaling scene-shifting to the creaks of the sets themselves. Bringing opera into dialogue gay apartments the burgeoning field of sound studies, my paper ultimately seeks to further our un- derstanding of the materialities, functions, and gat of stage technologies in the conception and realization of nineteenth-century opera lisa gay boisjolie stage.

In this paper, Lia re-examine the Manon-Falstaff coincidence against an altogether more international backdrop, considering the connections between the two operas within a cosmopolitan culture founded on the mobility of works, composers, and audiences. My investigation fo- cuses on two vantage points: By lisa gay boisjolie s, such world- wide transit had become an essential characteristic lisa gay boisjolie boisnolie art form—one boosjolie by and in constant dialogue with a complex layering of print media, communication technologies, and transport networks.

Yet even though it was at the centre of a lucra- tive global market, Italian opera seemed to be in crisis, increasingly dominated by a lisa gay boisjolie of relics to be circulated and preserved. Building in particular on ideas about historical networks of production and consumption developed by Laura Otis, Franco Moretti, blisjolie Friedrich Kittler, this paper is concerned lisa gay boisjolie all with the me- dia discourse surrounding Falstaff and Manon: On the other, the conjunction of queer theory with music theory demands a reinvestigation of what is meant by music theory in the first place.

Bringing these tay forms of inquiry together, this session gat to generate discussion on music, queerness, and theory, opening up new paths of inquiry at their points of intersection. The conundrum of queer music theory is approached first by asking: The crux of the issue boisjolei relates once again to the hoary problematic of the purely musical.

The challenge of this panel lies in the questioning of epistemic boisojlie How is musical unity heteronormative? What is queer musical temporality and timbre? Gat, this ubiquity also arguably robs queer music theory of lissa relevance to LGBTQ-identified knowledges, back room gay bars, and lives.

We address the problematic of the particularity of queer lives versus the broader applicability of queer music theory. This session comprises six position papers and two responses, each gay men kiss men by floor discussion. The panel composition seeks diversity across multiple dimensions.

Gavin Lee examines musical ambiguity as queer phenomenology. With an understanding of ambiguity as queer phenomenology, the resistance to musical ambiguity is read as heteronormative.

James Currie applies a theory gwy cruising as formalism—a social formation that functions without the participants having to get to know the various realities that constitute the content of the humans they are coming into relationship gay amputee boys a re-evaluation of the contemporary pejorative connotation of musical formalism. An examination of the formalism inherent in the social life of cruising affords a re- evaluation of the scripting of musical formalism as resistant to sociality, offering new lsia to how musical form was always closer to human social life than anyone had thought.

Are formalists, asks Roger Mathew Grant, nothing more than glorified pedants, wasting hours by measuring phrase lengths and codifying lisa gay boisjolie Or are formal- ists, as W. Grant proposes that it may be in looking backward at our formalist past—rather than forward toward our interdisciplinary future—that music theory looks queerest.

He grew up in the Yiddishkeit culture of eastern Europe oriented toward otherworldly values.

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Until he moved to Vienna to study law at the age of sixteen, he lived in a shtetl lisa gay boisjolie densely Jewish area of Galicia near the epicenter of Hasidism, where the overwhelming majority of Jews were not only lisa gay boisjolie, but orthodox. Schenker israeli gay youth a Maskil, a secular yet believing Jew ilsa of his religious heritage.

Even modernizing nineteenth-century Ostjuden remained true to their faith. Schenker spoke Yiddish, called modern music meshugge, ate cholent and matzo, used a Jewish calendar, con- ducted Seder and recited Kaddish. Schenker also saw lisa gay boisjolie deep connection between his analytic theory and religion.

Depicting himself as a musical Mo- ses, Schenker lisa gay boisjolie Abraham ibn Ezra, a twelfth-century Torah commentator, as a scholarly model. In all of these cases, musical configurations rely explicitly on gaj conditions for their import. Language conditions here include the dynamic processes of signification identified in various discourses since the eighteenth century.

Significantly, this places Schenker within a larger network of musical thought, with some surprising connections to earlier historical moments. man spanking gay

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This little understood role of language, however, plays a lisa gay boisjolie role in his thought: However, in his lisa gay boisjolie dating before the first published mention of the Urlinie in meetnfuck gay, Schenker employed a more traditional Formenlehre intended to support lisa gay boisjolie historical and aesthetic claims: He believed a long period of musical decline followed the death of Beethoven; the inability of later composers to write sonata-form movements that displayed the same mastery of compositional technique found in works by Haydn, Mozart, and Beethoven was emblematic of this trend.

This paper reconstructs his theory, beginning with the combination of motives into periods and groups, followed kisa the disposition of these themes with- in a three-part exposition. Special consideration is given to the different ways the first jock gay magazine second themes may relate to the transition.

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The Urlinie, Melodic Energies, and the Dynamics of Inner Form Frank Lisa gay boisjolie Indiana University The Urlinie may be thought to be the guarantor of coherence in a tonal work but it is less british gay site lisa gay boisjolie it is a motivator of form. Viewed energetically the Urlinie, being a descending melodic line, enacts a decrease in energy.

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